After a quiet time publication-wise in 2017, I’m going to be BUSY over the next twelve months. Here’s a list of all the Reeve, McIntyre and Reeve & McIntyre titles which will be released in the UK during 2018.
This is the third book in the Railhead trilogy. I wrote a bit about it here, and I’ll be writing a lot more about it as publication date draws near. I’ve really enjoyed living in Zen and Nova’s world for the past few years – in fact, I think it’s the best time I’ve had as a (solo) writer, and the best work I’ve done. I’ll be sorry to move on, but I hope Station Zero is a suitably grand and explosive way to bring the series to a conclusion. The cover illustration is by Ian Mcque.
Published by Oxford University Press, May 2018
Ian McQue is also going to be providing a cover and some interior illustrations for this book, which gathers together three short stories about Anna Fang, adding a bit of detail to the stories of her early life which are hinted at in Mortal Engines. The middle story is based on my long out-of-print World Book Day story Traction City, but I’ve re-written it to bring Anna to the centre of things – she made more of a cameo appearance in the original version. The other two are episodes from Anna’s life which never found a place in the original Mortal Engines Quartet, and which I think make good stories in their own right – I’m very much looking forward to seeing what images Ian puts with them. As there’s no artwork to show you yet, here’s a picture of Jihae, who plays Anna in the forthcoming Mortal Engines movie. (It was talking to her in Wellington last year which made me decide to do this book.)
Published by Scholastic, June 2018
The Legend of Kevin
By Philip Reeve and Sarah McIntyre
Work in Progress!
This is my fifth story book with splendidly-befrocked illustration legend and international celebrity hatstand Sarah McIntyre! The first four each had a different setting and central character, but The Legend of Kevin will be the start of a four book series. It seems to be set in the same world as Oliver and the Seawigs (the mermaids make a guest appearance, and those Sea Monkeys are up to mischief again) but our heroes this time are a boy called Max and a roly-poly flying pony named Kevin, who crash-lands on the balcony of Max’s flat one stormy night and decides to stay. Kevin made his first appearance in a story Sarah and I made up one Christmas here on Dartmoor. He was inspired by a plump Pegasus I painted on a bit of Brighton beach driftwood back in 1989 – little did I know where that would lead!)
Published by Oxford University Press, September 2018
When she isn’t slaving over the illustrations for our joint efforts, McIntyre is usually to be found creating picture books (Jampires and There’s A Shark In The Bath are borrowed from UK libraries more often than all the books I’ve written put together). She has two new titles coming out this year:
Dinosaur Firefighters is a follow-up to the very successful Dinosaur Police, and if you know any picture-book fans who like firefighters and/or dinosaurs, this is the book for them. Dipsy the Diploducus is desperate to join the Dinoville Fire Brigade, but is she too big and clumsy? SPOILERS: Of course she isn’t, and after a couple of comic catastrophes Dipsy finds her feet and saves the day. (I eagerly await the adventures of Dinosaur Paramedics, Dinosaur Coastguards and all the other dinosaur emergency services, but I think Sarah might feel it’s time to move on…)
Published by Scholastic, May 2018
The New Neighbours
Dinosaur Firefighters is bright, goofy, and fun, and it’s main purpose is to make small children laugh uproariously. Sarah’s other picture book this year is drawn and coloured in a slightly softer-edged, more subtle style, but it’s just as much fun and will have the same effect. It’s based around her Vern and Lettuce characters, and takes place in a tower block where each floor is home to a family of different animals. Behind all the charm and silliness and cute bunnies there is a gentle, generous, very McIntyre-ish lesson about tolerance and neighbourliness. It’s her picture book masterpiece, and it deserves to do very well indeed.
Published by David Fickling, March 2018
An Illustrated Guide to the World of Mortal Engines
(by Jeremy Levett and Philip Reeve)
With the Mortal Engines movie looming, it seemed a good opportunity to revise and expand the old Mortal Engines Codex, which had a very patchy e-book release a few years ago. Jeremy Levett knows far more about history and technology than I ever will, and he’s come up with an impressively plausible account of the centuries which separate the Fever Crumb books from the beginning of Mortal Engines, as well as lots of extra details about the cities, airships and characters who inhabit the books. There are glimpses of what the Traction era means for Australia, South America, and other bits of the world my stories never managed to encompass. And it will all be full of paintings, maps and diagrams by an illustrator (or illustrators) whose name (or names) I’ll reveal nearer the publication date.
Published by Scholastic, November 2018
These titles will be available from all good bookshops, and it should be possible to pre-order them from a few months before publication date. Page 45 in Nottingham ship internationally and stock the Reeve & McIntyre books (and if you pre-order The New Neighbours from them you get a limited edition signed bookplate).
At time of writing, Amazon UK seems only to have a US edition of Night Flights for pre-order – it has the wrong publication date and a strange price – so UK readers should be careful to wait for the UK edition to be listed. The current Amazon listing also says there are four stories, but that’s wrong: there are three.
What with one thing and another I’ve been too busy to publish any new fiction this year – although I have been hard at work on Railhead 3, which will be coming out next spring. (I’ll be announcing the title and sharing the cover artwork soon.)
But although Sarah McIntyre and I won’t be releasing a new story until next autumn we are publishing one book together this year, and here it is – PUG-A-DOODLE-DO, the Reeve & McIntyre Bumper Book of Fun:
When those nice people at Oxford University Press asked us to come up with an book of doodling and colouring activities based on characters and illustrations from our four books with them (Oliver and the Seawigs, Cakes in Space, Pugs of the Frozen North, and Jinks and O’Hare, Funfair Repair) we had to have a good hard think…
And some full and frank discussions…
We decided that we didn’t want to just re-use pictures from the other books, so we ended up writing and drawing quite a lot of new material too, including some surprisingly pointless quizzes, the autobiography of Colin the superstar crab, a day in the life of put-upon space tyrant Lord Krull, Iris the Mermaid’s Beauty Tips and super villain Stacey de Lacey’s frankly disturbing debut as an agony aunt. There are, inevitably, Quite A Lot Of Pugs. It was also a chance to publish print versions of a few things which have hitherto existed only online, like the excellent character drawing guides which Sarah produces to go with all our books, and the touching tale of Kevin, the Dartmoor Pegasus.
That lot filled about half the book. For the rest, I went to Sarah’s studio in London’s exotic Deptford, where we sat up late into the night dreaming up jokes and activities to fill the remaining pages. This resulted in some lovely spreads…
…and some rather odd ones…
…and towards the end it all started to get a bit Conceptual…
Anyway, PUG_A_DOODLE_DO is available now from all UK booksellers, price £10, and I think it’s turned out rather well. When I was a kid I always looked forward to the Bumper Summer Specials which comics like the Dandy and Whizzer and Chips used to publish in the summer holidays – extra thick editions crammed with stories, jokes and puzzles – and I hope our Bumper Book of Fun has something of that quality. It made us laugh like drains while we were thinking it up, so hopefully it will amuse somebody else too. Here’s my 8-year-old cousin Aretha test-driving a copy, and she seems to approve!
If you’re able to get to Tales On Moon Lane bookshop in London’s exotic Herne Hill this coming Saturday (8th September) Sarah and I will be launching the new book with a special doodling event, featuring guest pugs (including pug superstar Benny Bean).
It’s difficult to blog about the Emirates Airline Festival of Literature in Dubai because there’s so much of it. When I go to Hay or Edinburgh or Cheltenham I’m usually only there for a day or two, and only actually in the festival for a few hours. In Dubai I got to live in the hotel where the festival was being held for almost a week.
It’s a very fine hotel, with huge conference rooms, which sits at the hub of a complex called Festival City on the banks of Dubai Creek. A little further along the waterfront was a huge fountain which looked liked like an unlikely submarine surfacing. It remained moribund until about 2pm each afternoon, when it would spring to life, blaring pop music and squirting jets of water into the air in a not particularly interesting way. But it turned out that this was just its warm-up act. On the last evening of the festival I wandered outside after a long signing session just in time to see the fountain do its thing. There was dramatic orchestral music, dancing water jets, laser beams slashing lines of red and green and lilac light through the spray, and – the designers having realised in a stroke of deranged genius that what most fountains lack is fire – actual flamethrowers. For five or ten minutes the peaceful creekside vista was transformed into one of the livelier bits of Apocalypse Now. It was very Dubai.
When I first went to the festival three years ago it was this sci-fi atmosphere which stuck in my mind afterwards (some of it found its way into Railhead). Dubai is a strange mixture of brash bling and deep conservatism, where giant portraits of the ruling sheikhs gaze down from the walls of skyscrapers on gorgeous cyberpunk metro stations and flame-throwing fountains, while weird megastructures loom through the haze in a Simon Stålenhag sort of way. This time I didn’t see much of the city, as I had far more events to do, both on my own and in my capacity as sidekick and straight man to international show-off Sarah McIntyre. (There’s a video here of some of the stuff we got up to.) We took a trip down to Jumeria Beach one evening with fellow UK author Smriti Prasadam-Halls, but mostly we stayed in Festival City, so this year’s memories are much more about the people we met there.
They aren’t joking when they call it an international festival of literature. The Brit contingent included Piers Torday, Abi Elphinstone, Frances Hardinge, Patrick Gale, Michael Foreman, Andy Miller, Tanya Landman and Candy Gourlay (who lives in London but comes originally from the Philippines and was greeted with wild excitement by Dubai’s large Filipino population). But we were surrounded by writers and artists from all over the Arab world and from India, the U.S.A and the Caribbean. I don’t think I’ve ever found myself in such cosmopolitan company, and it was brilliant. I particularly enjoyed talking to the Egyptian author and journalist Ibrahim Farghali (I’ve brought home an English translation of his novel The Smiles of the Saints) Emirati children’s author Asma Kalban, and Jamaican poet and academic Kei Miller – no, it’s too dangerous to start listing everybody, since I’m bound to forget someone, and there were some people whose names I never even learned, but it was good to be among their conversations, and hear news and views from places far from poor old Brexit-blighted Britain.
Sarah McIntyre and Ibrahim Farghali
The audiences are just as mixed. Dubai has a huge ex-pat community so there were lots of Britons, Americans and Australians at our events, but lots of local Emiratis too. One group of boys from a school in Fujeira drove for three hours to see Sarah McIntyre and Emirati writer/illustrator Maitha Al Khayat doing a wild and wonderful English/Arabic pirate comics jam. (I missed that event as I was doing one of my own. I missed almost all the other events for a similar reason – if I wasn’t doing an event I was preparing for one, or signing, or knackered – but word reached me of wonderful things going on in other rooms – a brilliant poetry reading, a great session on travel writing, and a picture book event where Smriti Prasadam-Halls managed to move the adults in the audience to tears with an account of how her relationship with her sister had inspired one of her books.)
Maitha Al Khayat, McIntyre, and fans.
All the kids were great audiences – enthusiastic and keen to join in without getting too rowdy, and full of intelligent questions. We heard again and again how much they look forward to the festival and the chance it gives them to meet authors. Eleven-year-old Viraaj and his sister Vritti came to nearly all my events, and after the last one Viraaj gave me, Sarah, Piers and Candy copies of this bookmark he had made for us.
I hadn’t planned to return to Dubai – I had a great time on my first trip, but I hate travelling, don’t like hot weather, and seldom get much sleep in hotels*. Then, last year, the festival was targeted by campaigners who want writers to boycott it because of the Emirati government’s human rights record and the fact that the festival is sponsored by an airline. I’m broadly in favour of airlines, so the second argument was never likely to move me. I’m completely in favour of human rights, but the idea that boycotting a litfest will generate anything more positive than a cosy glow of righteousness in the breast of the boycotter seems absurd. The spectacle of British writers attempting to improve another country by trying to shut down its main cross-cultural arts event convinced me that I ought to go back and support the festival. I’m very glad I did.
Many thanks to Isobel Abulhoul, Yvette Judge, Mary Ann Miranda, and all the dedicated, patient, unflappable, book-loving volunteers who run the festival.